as well as Margaret Sullivan's reflection on the genre of the flaming review (she is the NYT public editor):
Also worth noting, and invoked in the comments re: Sullivan's article, is Manohla Dargis's recent review of "The Central Park Five." It seems relevant to our discussion of The Exonerated and to Cody's demand for political and social contextualization in arts reviews.
http://movies.nytimes.com/2012/11/22/movies/the-documentary-the-central-park-five.html?_r=0
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