1.
Robin Bernstein, “Dances with Things”
Bernstein describes the
“latent presence” in things, e.g. a spoon is on one end the negative of the
hand and on the other the positive of the mouth. What are the empty spaces in
which I am urged to interact with this object?
2.
Tracy Davis, “Theatricality and Civil Society”
How does this performance
demand my sympathy? How can I move past sympathy to become aware of my own
spectatorial position?
3.
Johnathan Harris, “Palimpsested Time”
How does this object
transcend ordinary notions of time (progressive linear time that can be
cross-sectioned synchronically without issue)? What is the time of this object?
4. Antonin
Artaud, “No More Masterpieces”
Does this performance ask to
be read as continuous with reality, as an example of lived reality? Or does this
performance ask to be read as discontinuous with reality, as a stepping out of
lived reality?
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